THE ENTITLEMENT (2018)

Manifoldly Multilingual:
The Theatre and Film of Caborca

By Jessica Rizzo, Theatre Forum

In The Entitlement, as in all of Caborca's work, reality is at once a visceral and a fragile thing. The company's root in besieged, but ever-defiant Puerto Rico have given them an acute awareness of the fiction of sovereignty, and this imbues their work with an unrelenting skepticism regarding dominant political and aesthetic paradigms. Power, language, and even time and space are subject to continuous interrogation and radical reassessment in Caborca's dramatic cosmos...